HVØSCH Saint Petersburg, Russia
denis samuylenkov
eduard gorkh
andrey kochulin
timur barsukov
georgy oblansky
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supported by 22 fans who also own “kapkan (chapter II)”
Литоургиiа réussit l'impensable : faire entrer le black metal dans l'église orthodoxe. S'il y a une dimension dramaturgique (indissociable de tout office religieux), Литоургиiа reste profond, solennel et touche le sublime. Après la sortie de cet album a lieu un Grand Schisme et un larcin : Христофор se fait dépouiller de son propre groupe par Барфоломей et Мартин ; tout ce qui reste ici provient de ces deux hérétiques. Suivez la procession de Батюшка ici : https://sphieratz.bandcamp.com/album/-
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supported by 19 fans who also own “kapkan (chapter II)”
Mikolaj is a real multi-talent in bass as well as guitar as well as vocals and "Darkside" Maciej's drumming is a well-calibrated 100th-of-seconds-clockwork. Not for nothing is Mgla considered as a standard for a lot of other blacker-than-black metal bands. I hope to see this band live once.....
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supported by 18 fans who also own “kapkan (chapter II)”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end.
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Images
by Colin Andrew Sheffield
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes.
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Heavy EP
by William Ryan Fritch
Fritch marches his wall of cinematic sound into town with horns blaring, chains clanking and drums beating loud.
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Absolute Still Life
by Wreck and Reference
The imaginative L.A. noise duo look to the future and see only destruction on their latest album of prickly, shadowy electronica.
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Панихида
by Krzysztof Drabikowski
supported by 17 fans who also own “kapkan (chapter II)”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années... Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne.
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